« LFM’s Jason Apuzzo at The Huffington Post and AOL-Moviefone: With Great Power: A Conversation with Stan Lee at Slamdance 2012 »     ...     « Sundance 2012: LFM Reviews Grabbers »     ...     « Sundance 2012: LFM Reviews Bestiaire »     ...     « Slamdance 2012: LFM Reviews The First Season »     ...     « Sundance 2012: LFM Reviews The Return »     ...     « Sundance 2012: LFM Reviews V/H/S »     ...     « Sundance 2012: LFM Reviews Wuthering Heights »     ...     « Sundance 2012: LFM Reviews Wrong »     ...     « Midnight at the Grand Guignol: LFM Reviews The Theatre Bizarre »     ...     « Happy New Year: LFM Reviews All’s Well, Ends Well 2012 »     ...     « Sundance 2012: LFM Reviews Ai Weiwei – Never Sorry »     ...     « Sundance 2012: LFM Reviews The Other Dream Team »     ...     « Sundance 2012: LFM Reviews The Raid »     ...     « Sundance 2012: LFM Reviews Lay the Favorite »     ...     « Sundance 2012: LFM Reviews Red Lights »     ...     « Slamdance 2012: Ed Wood’s Final Curtain »     ...     « Sundance 2012: LFM Reviews The Pact »     ...     « Slamdance 2012: LFM Reviews Faith Love + Whiskey »     ...     « Sundance 2012: LFM Reviews The Ambassador »     ...     « Sundance 2012: LFM Reviews Wish You Were Here »     ...     « Sundance 2012: LFM Reviews Where Do We Go Now? »     ...     « Sundance 2012: LFM Reviews Searching for Sugar Man »     ...     « Sundance 2012: LFM Reviews The Conquerors »     ...     « Sundance 2012: LFM Reviews About the Pink Sky »     ...     « Slamdance 2012: LFM Reviews Buffalo Girls »     ...     « LFM’s Joe Bendel Covers The 2012 Sundance, Slamdance Film Festivals + LFM Reviews The Debutante Hunters »     ...     « Sundance 2012: LFM Reviews Madrid, 1987 »     ...     « Submitted to the Oscars by South Korea: LFM Reviews The Front Line »     ...     « LFM Reviews: The Viral Factor »     ...     « LFM’s Govindini Murty on Lars Larson’s National Radio Show »     ...     « LFM’s Jason Apuzzo at The Huffington Post and AOL-Moviefone: “Why The Cold War is Back at the Movies” »

6. Steve Greaves

Far beneath the Earth’s crust of the Western Hemisphere, you will find a secret lair, a thermal-resistant marvel of engineering that causes hellish magma to part and reveal an idyllic grotto. Music fills the rarified air. What music is this? It’s as if transmitted from another world far outside the center of this one. No one appears to be home in the lair, yet the sound echoes throughout the vast modern habitat. The plants enjoy it, as do the exotic fauna. The transponder beacon is working, revealing that this is indeed music from beyond untold stars. Simulcasting dutifully, the homing device is dialed in to galaxies unknown. One day, when the cosmos have given and taken all the supersonic inspiration he can fathom in human form, the master shall return in his craft. Parched, this space traveller will no doubt be yearning for a shot of tang.

The SG Sound… you’re already soaking in it.

Steve Greaves is a film composer whose recent projects include scoring broadcast campaigns for Lionsgate’s home video release of Mad Men, films such as Commentary, Kalifornistan, and Blue Water Sailors Will Not Be Forgotten, and the completion of the new ‘SG Sound’ space age pop album Escapade Velocity. He is a former contributor to Film Score Monthly Magazine.

Further info available at TheSGSound. See a full list of Steve Greaves’ posts here.

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