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	<title>LFM: Libertas Film Magazine &#187; Articles</title>
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	<description>LFM: The Voice of Freedom in Movies &#38; Pop Culture</description>
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		<title>LFM&#8217;s Jason Apuzzo at The Huffington Post and AOL-Moviefone: With Great Power: A Conversation with Stan Lee at Slamdance 2012</title>
		<link>http://www.libertasfilmmagazine.com/lfms-jason-apuzzo-at-the-huffington-post-and-aol-moviefone-with-great-power-a-conversation-with-stan-lee-at-slamdance-2012/</link>
		<comments>http://www.libertasfilmmagazine.com/lfms-jason-apuzzo-at-the-huffington-post-and-aol-moviefone-with-great-power-a-conversation-with-stan-lee-at-slamdance-2012/#comments</comments>
		<pubDate>Wed, 01 Feb 2012 17:42:34 +0000</pubDate>
		<dc:creator>Jason Apuzzo</dc:creator>
				<category><![CDATA[1. Jason Apuzzo]]></category>
		<category><![CDATA[Articles]]></category>
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		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[LFM in the News]]></category>
		<category><![CDATA[Movie Reviews]]></category>
		<category><![CDATA[News/Opinion]]></category>

		<guid isPermaLink="false">http://www.libertasfilmmagazine.com/?p=26559</guid>
		<description><![CDATA[
[Editor's Note: This post appears today at The Huffington Post and at AOL-Moviefone.]
By Jason Apuzzo. He&#8217;s 89 years old, and his career is hotter than ever.
With hits like Thor, Captain America and X-Men: First Class dominating the box office in 2011, and upcoming films like The Avengers and The Amazing Spider-Man looking to light up <a href='http://www.libertasfilmmagazine.com/lfms-jason-apuzzo-at-the-huffington-post-and-aol-moviefone-with-great-power-a-conversation-with-stan-lee-at-slamdance-2012/'>[...]</a>]]></description>
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		<slash:comments>4</slash:comments>
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		<title>Sundance 2012: LFM Reviews Grabbers</title>
		<link>http://www.libertasfilmmagazine.com/sundance-2012-lfm-reviews-grabbers/</link>
		<comments>http://www.libertasfilmmagazine.com/sundance-2012-lfm-reviews-grabbers/#comments</comments>
		<pubDate>Mon, 30 Jan 2012 20:42:33 +0000</pubDate>
		<dc:creator>Joe Bendel</dc:creator>
				<category><![CDATA[4. Joe Bendel]]></category>
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		<category><![CDATA[Movie Reviews]]></category>
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		<guid isPermaLink="false">http://www.libertasfilmmagazine.com/?p=26548</guid>
		<description><![CDATA[By Joe Bendel. Believe it or not, that last Guinness before you leave is the last best line of defense against alien invasion. Fortunately, the villagers of Erin Island are up to the demands of survival in Jon Wright’s Grabbers, which screened during the 2012 Sundance Film Festival.
Garda Lisa Nolan is a workaholic who spends <a href='http://www.libertasfilmmagazine.com/sundance-2012-lfm-reviews-grabbers/'>[...]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Sundance 2012: LFM Reviews Bestiaire</title>
		<link>http://www.libertasfilmmagazine.com/sundance-2012-lfm-reviews-bestiaire/</link>
		<comments>http://www.libertasfilmmagazine.com/sundance-2012-lfm-reviews-bestiaire/#comments</comments>
		<pubDate>Mon, 30 Jan 2012 20:17:33 +0000</pubDate>
		<dc:creator>Joe Bendel</dc:creator>
				<category><![CDATA[4. Joe Bendel]]></category>
		<category><![CDATA[Articles]]></category>
		<category><![CDATA[By Author]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Movie Reviews]]></category>
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		<category><![CDATA[Trailers]]></category>
		<category><![CDATA[Watch Movies!]]></category>

		<guid isPermaLink="false">http://www.libertasfilmmagazine.com/?p=26541</guid>
		<description><![CDATA[
By Joe Bendel. Zoos, farms, and taxidermy shops are good places for gawking at animals. French Canadian filmmaker Denis Côté essentially invites viewers to do precisely that. Supposedly, the clever part is that the animals will gawk back. However, they do not seem particularly interested in holding up their end throughout his non-narrative documentary Bestiaire, <a href='http://www.libertasfilmmagazine.com/sundance-2012-lfm-reviews-bestiaire/'>[...]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Slamdance 2012: LFM Reviews The First Season</title>
		<link>http://www.libertasfilmmagazine.com/slamdance-2012-lfm-reviews-the-first-season/</link>
		<comments>http://www.libertasfilmmagazine.com/slamdance-2012-lfm-reviews-the-first-season/#comments</comments>
		<pubDate>Mon, 30 Jan 2012 19:57:45 +0000</pubDate>
		<dc:creator>Joe Bendel</dc:creator>
				<category><![CDATA[4. Joe Bendel]]></category>
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		<category><![CDATA[Movie Reviews]]></category>
		<category><![CDATA[News/Opinion]]></category>

		<guid isPermaLink="false">http://www.libertasfilmmagazine.com/?p=26530</guid>
		<description><![CDATA[
By Joe Bendel. There are far easier ways to go broke than opening a dairy farm from near scratch. However, if they work like dogs, Paul and Phyllis Van Amburgh might eventually break even. The ups and downs of their agricultural start-up are documented in Rudd Simmons’ The First Season, which screened during the recently <a href='http://www.libertasfilmmagazine.com/slamdance-2012-lfm-reviews-the-first-season/'>[...]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Sundance 2012: LFM Reviews The Return</title>
		<link>http://www.libertasfilmmagazine.com/sundance-2012-lfm-reviews-the-return/</link>
		<comments>http://www.libertasfilmmagazine.com/sundance-2012-lfm-reviews-the-return/#comments</comments>
		<pubDate>Mon, 30 Jan 2012 19:40:10 +0000</pubDate>
		<dc:creator>Joe Bendel</dc:creator>
				<category><![CDATA[4. Joe Bendel]]></category>
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		<category><![CDATA[By Author]]></category>
		<category><![CDATA[Movie Reviews]]></category>
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		<guid isPermaLink="false">http://www.libertasfilmmagazine.com/?p=26516</guid>
		<description><![CDATA[By Joe Bendel. He is like a Kosovar Sommersby, except he is completely legitimate. That does not make the long-held prisoner of war’s homecoming any easier though in Blerta Zeqiri’s The Return (trailer here), the winner of the Jury Prize for Short Film International Fiction at the 2012 Sundance Film Festival.
The man has been missing <a href='http://www.libertasfilmmagazine.com/sundance-2012-lfm-reviews-the-return/'>[...]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Sundance 2012: LFM Reviews V/H/S</title>
		<link>http://www.libertasfilmmagazine.com/sundance-2012-lfm-reviews-vhs/</link>
		<comments>http://www.libertasfilmmagazine.com/sundance-2012-lfm-reviews-vhs/#comments</comments>
		<pubDate>Sat, 28 Jan 2012 23:19:06 +0000</pubDate>
		<dc:creator>Joe Bendel</dc:creator>
				<category><![CDATA[4. Joe Bendel]]></category>
		<category><![CDATA[Articles]]></category>
		<category><![CDATA[By Author]]></category>
		<category><![CDATA[Movie Reviews]]></category>
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		<guid isPermaLink="false">http://www.libertasfilmmagazine.com/?p=26499</guid>
		<description><![CDATA[
By Joe Bendel. Pretty soon, VHS tapes will be nothing more than odd curios. A group of lowlife thugs is out to steal one that is particularly collectible. Supposedly, they will know it when they see it. If that sounds ominous, it should, because they are about to stumble across some deeply disturbing found videos <a href='http://www.libertasfilmmagazine.com/sundance-2012-lfm-reviews-vhs/'>[...]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Sundance 2012: LFM Reviews Wuthering Heights</title>
		<link>http://www.libertasfilmmagazine.com/sundance-2012-lfm-reviews-wuthering-heights/</link>
		<comments>http://www.libertasfilmmagazine.com/sundance-2012-lfm-reviews-wuthering-heights/#comments</comments>
		<pubDate>Sat, 28 Jan 2012 23:18:21 +0000</pubDate>
		<dc:creator>Joe Bendel</dc:creator>
				<category><![CDATA[4. Joe Bendel]]></category>
		<category><![CDATA[Articles]]></category>
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		<category><![CDATA[Narrative]]></category>
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		<category><![CDATA[Watch Movies!]]></category>

		<guid isPermaLink="false">http://www.libertasfilmmagazine.com/?p=26489</guid>
		<description><![CDATA[
By Joe Bendel. Remember Sir Laurence Olivier and Merle Oberon in William Wyler’s adaptation of Emily Brontë’s romantic classic? If you do, you had best forget them now. Andrea Arnold radically reconceptualizes the familiar story in her mud and thatch version of Wuthering Heights (trailer above), which screens at the 2012 Sundance Film Festival.
The basic <a href='http://www.libertasfilmmagazine.com/sundance-2012-lfm-reviews-wuthering-heights/'>[...]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Sundance 2012: LFM Reviews Wrong</title>
		<link>http://www.libertasfilmmagazine.com/sundance-2012-lfm-reviews-wrong/</link>
		<comments>http://www.libertasfilmmagazine.com/sundance-2012-lfm-reviews-wrong/#comments</comments>
		<pubDate>Sat, 28 Jan 2012 23:17:39 +0000</pubDate>
		<dc:creator>Joe Bendel</dc:creator>
				<category><![CDATA[4. Joe Bendel]]></category>
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		<guid isPermaLink="false">http://www.libertasfilmmagazine.com/?p=26479</guid>
		<description><![CDATA[By Joe Bendel. It is the story of a man and his dog, but do not expect Lassie from provocateur Quentin Dupieux, a.k.a. Mr. Oizo. He cast off all logic-based constraints and was creatively liberated for it, to judge by the distinctively strange results in Wrong (trailer here), which screens at this year’s Sundance Film <a href='http://www.libertasfilmmagazine.com/sundance-2012-lfm-reviews-wrong/'>[...]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Midnight at the Grand Guignol: LFM Reviews The Theatre Bizarre</title>
		<link>http://www.libertasfilmmagazine.com/midnight-at-the-grand-guignol-lfm-reviews-the-theatre-bizarre/</link>
		<comments>http://www.libertasfilmmagazine.com/midnight-at-the-grand-guignol-lfm-reviews-the-theatre-bizarre/#comments</comments>
		<pubDate>Sat, 28 Jan 2012 20:38:18 +0000</pubDate>
		<dc:creator>Joe Bendel</dc:creator>
				<category><![CDATA[4. Joe Bendel]]></category>
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		<category><![CDATA[By Author]]></category>
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		<guid isPermaLink="false">http://www.libertasfilmmagazine.com/?p=26450</guid>
		<description><![CDATA[By Joe Bendel. Marionettes are creepy, especially when they look like Udo Kier. Fittingly though, that fairly well sums up Pegg Poett, the master of ceremonies for The Theatre Bizarre (trailer here), a horror anthology film screening midnights this Friday (1/27) and Saturday (1/28) in New York.
Once the reluctant audience member settles into her seat <a href='http://www.libertasfilmmagazine.com/midnight-at-the-grand-guignol-lfm-reviews-the-theatre-bizarre/'>[...]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Happy New Year: LFM Reviews All’s Well, Ends Well 2012</title>
		<link>http://www.libertasfilmmagazine.com/happy-new-year-lfm-reviews-all%e2%80%99s-well-ends-well-2012/</link>
		<comments>http://www.libertasfilmmagazine.com/happy-new-year-lfm-reviews-all%e2%80%99s-well-ends-well-2012/#comments</comments>
		<pubDate>Sat, 28 Jan 2012 20:37:31 +0000</pubDate>
		<dc:creator>Joe Bendel</dc:creator>
				<category><![CDATA[4. Joe Bendel]]></category>
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		<guid isPermaLink="false">http://www.libertasfilmmagazine.com/?p=26464</guid>
		<description><![CDATA[ 
By Joe Bendel. It’s Donnie Yen as you’ve never seen him before: singing power ballads. His character might be stuck in the 1980’s, but he can still find love in Chan Hing-ka and Amy Chin’s All’s Well, Ends Well 2012 (trailer here), the sixth film of the popular HK rom-com series, which opened Friday <a href='http://www.libertasfilmmagazine.com/happy-new-year-lfm-reviews-all%e2%80%99s-well-ends-well-2012/'>[...]</a>]]></description>
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