Category: Invasion Alerts!

LFM Review: Cowboys & Aliens

By Jason Apuzzo. Cowboys & Aliens is one of those movies that probably looked great on paper – like a development executive’s dream. Take a popular graphic novel that combines two of America’s most durable genres (the Western and sci-fi), cast Indiana Jones and the current James Bond, add the Iron Man director and current It-girl from Tron, plus Steven Spielberg and Ron Howard as producers – and you’ve got a sure-fire hit, right?

Right?

Alas, we all know that movies don’t work exactly that way. There’s actually something rather mysterious about what makes one film work – and a different film made by the same people, even on the same subject, fall flat. It’s a matter of what we usually call ‘chemistry’ or ‘inspiration.’

Cowboys & Aliens is not a bad film. It’s entertaining at times and works reasonably well as light summer entertainment – but it’s the cinematic equivalent of the ‘superteam’ Miami Heat, or the Lakers back when they had a roster that included Kobe, Shaq, Karl Malone and Gary Payton … and lost the title. It’s a film that doesn’t know what it wants to be, so it ends up being almost nothing. Unsatisfying as a Western, and clichéd as sci-fi – insufficient as a star vehicle, and thin as an action film – Cowboys & Aliens is a genre mash-up that never really settles on being any one thing, and left me bored and disinterested as a result.

Reluctant allies, covered in dust.

Although Cowboys boasts two big leads, it’s mostly carried by Daniel Craig as Jake Lonergan – a man who, as the film opens, awakens in the desert in Jason Bourne-like fashion, having lost his memory but not his ability to kick peoples’ teeth in. Although he fights like a UFC mixed martial artist and shoots like Wyatt Earp, Jake can’t remember who he is, or why he has a strangely cauterized wound on his side, or why a bizarre slab of metal is wrapped around his wrist – like some sort of Stone Age Casio watch.

This is where the film makes its first mistake, in the casting of Daniel Craig. It’s time we acknowledge what has become obvious: which is that Craig, for what limited ability he’s shown in playing James Bond – limited, that is, to fight scenes – has neither the charisma, nor the warmth, nor the subtlety of person to really make a compelling, big-time movie star. It’s simply not there. Daniel Craig looks and acts like a rugby player, or maybe a bouncer – the sort of person who isn’t called upon on a regular basis to show vulnerability, or a sense of humor. (Qualities, incidentally, that his co-star Harrison Ford has specialized in over the past 35 years.) Think back to what Bruce Willis or Mel Gibson were like in their prime  – and you’ll realize how dull Craig’s performances are these days. He’s Cowboys’ first and biggest problem.

Eventually Craig heads into the town of ‘Absolution’ (which is probably the sister city of ‘Obvious Metaphor’), one of those typical Western-movie towns in which everyone speaks in parables, and nobody seems to have bathed during the past year. (Was the West really like that? I doubt it.) After a series of brief fistfights and shoot-outs, none of which are especially electrifying, we learn that the town is basically run by cattle baron and former Confederate Army Colonel Woodrow Dolarhyde (get it? he sells cattle!), played by Harrison Ford at his most grizzled. Ford seems to be channelling John Wayne’s character Thom Dunson from Red River here, as in vengeful fits he rides roughshod over the local sheriff, his men, and most particularly his worthless son. And of everyone involved in this film – and that includes the director, and the film’s eight writers – Ford is the only one who seems at home in this material, like he’s been itching to cut loose in a Western for decades. He’s ornery and authoritative, but always with a cracked smile and a twinkle in his eye. He’s trail boss, father figure and old coot all in one – and he’s good. You’ll be wishing this wasn’t his first Western since the bizarre The Frisco Kid (with Gene Wilder?!) back in 1979. Continue reading LFM Review: Cowboys & Aliens

UPDATED: Mid-Summer Invasion Alert! Skies Falling on Cowboys, Battleships & Moscow + Ridley Scott Returns to Outer Space!

From "Cowboys & Aliens."

By Jason Apuzzo. • We’ve been through Transformers: Dark of the Moon, Super 8, Green Lantern and Falling Skies thus far this summer, and our next scheduled alien invasion comes this Friday in the form of Cowboys & Aliens. Although initially skeptical about this project, I’m now looking forward to it – largely because it looks to be more of a Western, truth be told, than a sci-fi project – and I’ve been eager to see Harrison Ford in a Western for decades. In a summer in which we’ve seen aliens demolish the downtowns of several major American cities  – usually in 3D – Cowboys & Aliens looks to offer a more modest type of spectacle, one that’s based on old-fashioned star power and earth-bound heroics rather than visual effects.

Does this mean I’m going to like Cowboys more than Transformers (easily my favorite film of the summer)? Not at all – in fact, I’d say that’s highly unlikely at this point. But I miss the Western genre – its style, values and vision of the American frontier and the people who conquered it – and if it takes an alien menace to re-animate the genre for younger audiences, I’m all for it.

This is all to say that Cowboys & Aliens is currently looking like a film that is only nominally attached to the sci-fi genre, and is leaning heavily on the romance of the Old West for its appeal – and, ironically, this is probably why the film currently isn’t tracking very well, or is at least tracking more like a Western than a major sci-fi tentpole. The film’s director, Jon Favreau, has been taking a decidedly old-school approach to promoting the film, sitting down recently for some very enjoyable conversations with Harrison Ford, and also with the film’s producers Steven Spielberg, Ron Howard and Brian Grazer. Favreau almost comes across like an associate professor in cinema studies during these conversations rather than a hot director with a major film to launch. I’m liking his low-key approach, though, and I hope the film turns out to be good. You’ll get my full report on that Friday!

In the meantime, take a moment to check out this major career retrospective on Cowboys & Aliens’ producer, Steven Spielberg, held at the DGA recently and featuring James Cameron and J.J. Abrams. It’s 90 minutes of Spielberg at his most engaging, talking about his career from its humble beginnings all the way to today.

• The Battleship trailer finally set sail this morning … and I loved it. Imagine a cross between Top Gun and Battle: Los Angeles, with Liam Neeson and Brooklyn Decker thrown in, and you’ve basically got the vibe of this film.

Some of the big guns on display in "Battleship."

Battleship stars Taylor Kitsch (who for obscure reasons has been tapped to carry both this film and Disney’s John Carter next year) as some kind of ‘rebellious’/Maverick-style hot shot Naval officer assigned to serve under Liam Neeson on board a battleship, while conveniently enough being engaged to Neeson’s daughter, Brooklyn Decker, who plays “a physical therapist.” I’ll bet! After a few glamor shots of Ms. Decker providing ‘physical therapy’ to her fiancé on a beach in Hawaii (is this covered under Obamacare?), we then get some beauty passes of Naval ships, etc., then head out to sea where some kind of massive alien flotilla has arrived. We get a pretty good look at the alien ships in this trailer, and the whole thing ends with Neeson ordering all guns to fire on the alien attackers.

The whole thing looks pretty entertaining, very much in the Michael Bay style – romanticizing the military lifestyle and its flashy hardware – and also like it may have something the otherwise commendable Battle: Los Angeles didn’t really have: humor. One thing I wasn’t crazy about, though: Taylor Kitsch looks completely dull in this trailer, as he does in the John Carter trailer (see below). The studios have really got to find some better young male leads these days. (I’m still stewing, btw, over how godawful Garrett Hedlund was in Tron: Legacy.) My suggestion? Outsource. Hire Brits and Aussies exclusively.

Footnote: if you look carefully, the film depicts Neeson leading what appears to be an international naval flotilla – led by America but with the Japanese featured prominently. I like that. I think it’s nice to remember who our actual allies are these days, as opposed to those who are simply our ‘trading partners.’ Hint, hint.

Battleship hits theaters in May of 2012, and I will be there. Here’s the trailer below.

Continue reading UPDATED: Mid-Summer Invasion Alert! Skies Falling on Cowboys, Battleships & Moscow + Ridley Scott Returns to Outer Space!

LFM Review: Transformers: Dark of the Moon

By Jason Apuzzo. The Transformers series is basically a high-speed, whipsaw collision of three things: 1) the venerable, 1950’s-based alien invasion genre, with its subtext of American freedom-fighting in the face of overwhelming technological threats from abroad; 2) a Hasbro toy line; 3) the retro-80s/MTV sensibilities of director Michael Bay.

This unusual and unexpected combination of elements have proven extremely successful at the box office over the past four years, but like any successful franchise, the Transformers movies are also more than the sum of their parts. The movies are fun, epic in scale, earthy in their humor, cheekily conspiratorial in their politics, playfully fetishistic in their focus on cars and girls, and keenly attuned to the sensibilities of the moment – what’s cool and what isn’t – in the same way the Bond films were in their heyday.

But the films offer a bit more than that, actually.  Like Michael Bay’s best work – Pearl Harbor comes to mind – the films are unbending in their affection for the things that make America special: our independent streak, our fighting spirit, our passion for technological innovation. The films also radiate middle class values: the value of hard work and sacrifice, of remaining loyal to friends, and the importance of family – even when your family drives you insane.

The high-class, professional girlfriend.

Transformers: Dark of the Moon doesn’t necessarily add anything new to this formula that wasn’t there in the first two films. The familiar elements are all there in the first half of Dark of the Moon, but what Bay adds in the film’s second half are action sequences so gigantic and complex in scale – and amplified by astonishingly detailed 3D imagery – that one can only really compare them to Avatar or to certain moments in the Star Wars prequel trilogy. And the sum of all this ultimately is quite arresting and entertaining … but sometimes a bit overwhelming.

So let me just blurt it out here and say that as much as I liked the film, it also felt a bit excessive. The first two Transformers movies I first saw on DVD, on a portable player, in a situation in which the action in my field of vision was tightly contained, and the audio channels compressed down to classic L-R stereo. Watching Dark of the Moon in 3D on a big screen in 7.1 sound – with the film’s rapid fire dialogue, multi-layered conspiracy plotlines, and mind-shattering action sequences – left me feeling liked I’d just spent 2 1/2+ hours behind a jet engine … while reading Stephen Ambrose. It was a lot to take in.

Michael Bay’s directing style might best be described as palimpsestic, like something out 17th century Baroque painting or drama: dense, tightly packed plotlines are unfolding as comic one-liners shoot at you rapid-fire, while imagery of complex machines hurtle through space in balletic, gravity-defying maneuvers … right as Rosie Huntington-Whiteley is turning a corner in an outfit that makes her look curvier than Jessica Rabbit.

And you have about .3 seconds to take all that in before the next shot.

Not a millimeter of the frame nor a single audio frequency is wasted in Dark of the Moon. Every moment is packed to the gills with detail – and frequently with references to other films. It’s a unique style that I’ve come to like from Bay – the style of a muralist, rather than a portraitist – and a style that assumes the audience is capable of absorbing an ocean of detail. But sometimes, as when you’re looking at a huge mural in a museum, it can be a bit overwhelming.

This isn’t a complaint or a criticism, so much as an observation: Michael Bay seems to be inaugurating a different kind of filmmaking in the Transformers series, a type of complex, information-rich filmmaking style that assumes his audience can go back endlessly on DVD/Blu-ray after seeing the film and actually figure out what the hell happened, and savor all the details (and there are plenty to savor; especially if you like Osprey helicopters, or Rosie Huntington-Whiteley’s legs). Because I liked Dark of the Moon, I recommend you do that – because on first viewing it’s quite a lot to take in. Continue reading LFM Review: Transformers: Dark of the Moon

Libertas Update + Mini-Invasion Alert!: Reaction to Falling Skies, Super 8, Green Lantern

By Jason Apuzzo. Last week was extremely busy for me on non-Libertas fronts, and as a secondary matter I also happened to bust up one of my shoulders (no worries; it’s on the mend), making it a little difficult to write – so LFM was quiet for most of last week.

I wanted readers to know, however, that I was not completely AWOL while Earth was being invaded.

I’m referring here, of course to the alien invasions depicted in Green Lantern, Super 8 and the premiere of TNT’s Falling Skies – all of which I made sure to see. And although it would take a prohibitive amount of time and effort at this point to write full reviews of each project, I wanted to at least provide some brief reactions:

• The Steven Spielberg/Robert Rodat alien invasion series Falling Skies had a very big cable debut on TNT Sunday night, pulling in an estimated 5.9 million viewers. To put that figure in perspective, there’s not a single show on Fox News that comes even close to that sort of audience size.

The question is whether Falling Skies will keep that large audience – because although I generally liked what I saw of Falling Skies, and would’ve loved it if I was still back in high school (with the show’s Aliens-meets-Red Dawn vibe) … in 2011 I wasn’t deeply impressed with it. Indeed, I would say the show seemed inferior in many respects to ABC’s similarly-themed V series that just got cancelled after its second season.

Until the second half of Sunday’s Falling Skies premiere, I was generally finding the show dreary, humorless, and lacking in either pizazz, strong characters or imagination. Everything about the show was seeming like a re-hash of other, stronger projects – like Spielberg’s own War of the Worlds, or Robert Heinlein’s The Puppet Masters. Noah Wyle was seeming wimpy, and I wasn’t enjoying Will Patton’s turn as the megalomaniacal Desert Storm vet.

Things picked up in the second half of the show, however, with the introduction of some colorful characters – specifically Colin Cunningham playing the post-apocalyptic renegade-outlaw-dude-with-stringy-hair John Pope, and Sarah Carter playing the bad-ass killer blonde Margaret. Finally the show started to click, gain an edge, and I was interested. Suddenly I was finding Noah Wyle engaging and sympathetic. Suddenly I noticed that Will Patton’s character, although unsympathetic and a caricature, was consistently being proven right in how he dealt with the alien menace. I was also liking the fact that the great Dale Dye was in the show. And suddenly I was digging the murky, close-quarters combat with the aliens, and the show’s implicit, Battle: Los Angeles-style endorsement of martial virtues.

I also think Spielberg & Co. are shrewd to not tip their hand early as to the aliens’ intentions. V occasionally seemed convoluted and over-plotted, while Falling Skies seems much simpler – though perhaps not as fun. In any case, I will continue to follow the series and see how it develops … Continue reading Libertas Update + Mini-Invasion Alert!: Reaction to Falling Skies, Super 8, Green Lantern

Memorial Day Weekend Mega-Invasion Alert!: Aliens to Battle Dinosaurs, Teenage Girls, French Space Pirates & Tom Cruise!

Concept art for "Dominion: Dinosaurs Versus Aliens."

By Jason Apuzzo. • There’s a lot of news on the Alien Invasion Front, but probably the most interesting thing that’s happened recently is that two joint video interviews were released – one featuring Michael Bay talking with James Cameron, the other featuring J.J. Abrams talking with Steven Spielberg. The two films they’re discussing, obviously, are the two big alien invasion thrillers coming down the pike: Bay’s Transformers: Dark of the Moon, and the Abrams/Spielberg Super 8. The interviews are both roughly 15 minutes long, but are otherwise studies in contrast.

The Bay-Cameron interview is very much tech-talk – good tech-talk mind you, intelligent discussion of a subject that many people are familiar with but rarely understand on a sophisticated level: moving stereoscopic (i.e., 3D) imagery. Bay and Cameron deliver one of the more thoughtful discussions I’ve heard on this subject – examining how 3D impacts editing, and how 3D is ‘dynamic’ (i.e., it can be dialed back, when necessary).

You really get a feel in this interview for how smart these guys really are when they’re discussing their own profession, or in pushing the technological envelope in big, mainstream filmmaking. I may disagree with Cameron about a great many things, but I would not want to tangle with him on the subject of stereo-optics, or on the subject of cinema montage in general. He’s certainly impressive, as is Bay. Both understand how the cinema really needs to push forward innovations like 3D in order to give audiences new reasons to go out to the movies, rather than to stay home and watch downloads. I fear for what YouTube and the internet in general are doing to the cinema, but these guys are obviously aware of the problem and developing creative solutions to address it. I found their discussion inspiring, and interesting … but probably best recommended for the more technically inclined readers out there.

Watching Abrams and Spielberg go at it is a completely different ball of wax, altogether! Although I admire Cameron (minus his politics) and Bay, Abrams and Spielberg seem more personable, fun, and you really get a sense of what a sentimental exercise filmmaking is for them. Super 8 is quite obviously intended as a journey back to their childhood, to what inspired their young imaginations and pushed them to become storytellers in the first place.

Both men also have what is clearly an advanced understanding of what generates excitement in audiences, and in how to create an air of mystery and suspense about what they’re doing. You really get a sense of what a personal matter filmmaking is to these guys, how non-technical it is, how filmmaking is something tied up with their everyday lives and emotions – even in their emotional reactions to other peoples’ films.

Anyway, I enjoyed both discussions and found them inspiring for different reasons – and I’m very much looking forward to both films. We’ll be getting Super 8 very shortly …

• On the Transformers: Dark of the Moon front, the film will have its world premiere June 23rd as the opening-night film of the Moscow International Film Festival (probably because the film has a neo-Cold War angle involving the Russians), and the U.S. debut has been bumped up to June 29th. Capone over at Aint It Cool News has already seen the film, and given it a rave review – praising it “not just in terms of its scope, but also in its pacing, performances, and ideas. This one dares to go dark from time to time, and that helped me find the often-lacking component of many Bay films: emotion.” Also: the film’s 3D IMAX trailer is now available on-line (I’ve seen it in a theater; it’s phenomenal); new ads and clips are out; and there’s already an ILM featurette out about the film’s VFX (in particular, it’s old-school use of miniatures).

Yes.

Better still, the best image yet of Rosie Huntington-Whiteley in Transformers has been released (see above), an image suggesting how deeply Michael Bay understands the male imagination (Victoria’s Secret supermodel + Mercedes concept car = automatic ticket purchase). The image also got me thinking: somebody should give Michael Bay the Bond franchise. Can you imagine how great that would be? In any case, you can also watch a clip of Rosie Huntington-Whiteley in the film … and Rosie talks to The HuffPo about her life as a farm girl. According to HuffPo:

She was pretty frank when discussing her shooting of livestock on her parents’ farm. “I know where my food comes from. I don’t get sad ’cause you don’t build relationships with those animals,” Huntington-Whiteley said. “I’m a farm girl; there’s the pigs, that’s the dog that I play with and love, but it’s the pig that’s gonna be in the freezer next month.”

Hey! What starlets slaughter pigs these days? Continue reading Memorial Day Weekend Mega-Invasion Alert!: Aliens to Battle Dinosaurs, Teenage Girls, French Space Pirates & Tom Cruise!

Mega-Invasion Alert!: Transformers, Ender’s Game, The Martian Chronicles, Oblivion, Archangel & 3D Fish Join the Invasion!

Meet your master: "Shockwave," the new villain from "Transformers: Dark of the Moon."

By Jason Apuzzo. • It’s been a long time since our last Invasion Alert!, but I wanted to wait until the new Transformers: Dark of the Moon trailer was out before doing another installment … and that’s where we’ll start today, with Michael Bay’s spectacular trailer to what will likely be the summer’s biggest hit. I haven’t given Michael Bay enough credit in previous Invasion Alerts! for crafting what has obviously become a highly entertaining, epic-in-scale and surprisingly emotional series in the Transformers films – the cream of the recent ‘alien invasion’ genre. How much do I like Bay’s stuff? I’ll say what most critics won’t admit to but probably are thinking – which is that the Transformers movies are likely going to be remembered as among the best ‘alien invasion’ flicks since the 1950s … whether they have their innocuous origins in Hasbro toys or not.

The great thing about the Transformers films, in my opinion, is that they’re not only enormous in scale, but they get all the human touches right – with their warm, earthy characters, realistic family dynamics, and lively sense of humor. You’ve got to be a major stick-in-the-mud to not find these movies a lot of fun. The films also have a pro-American, pro-military, middle class vibe to them – and it’s hard not to like all the campy fetishism associated with the cars, motorcycles, gadgets, military hardware, hot chicks, etc. These films indulge every high school male fantasy imaginable, but do so with stye and humor.

The other aspect of these films that stands out, of course, is their War on Terror subtext – and there is a quite palpable 9/11-quality to the new Transformers trailer, with alien invaders arriving in downtown Chicago and toppling a gigantic building, with major characters scrambling to get out of it. Am I the only one who was thinking of the World Trade Center watching that sequence?

I like that Bay isn’t flinching in depicting this type of thing on-screen. We’re almost ten years past the original attacks, and I sense that people have forgotten what a horrific day that was – and what its larger implications were for our culture. This is exactly what sci-fi does at its best: in the midst of indulging our fantasies, it reminds us of the real world we’re living in and all of its challenges.

And speaking of indulging our fantasies … what are we thinking of Rosie Huntington-Whiteley? She’s looking a little plain-vanilla/girl-next-door to me in comparison to the edgier, minx-like Megan Fox.  I also preferred Ms. Fox’s blasé, cheeky attitude toward the robot mayhem; Rosie seems a little too scared in the clips I’ve seen. Just a thought.

In any case, I’m very much looking forward to Dark of the Moon – especially this cool-looking new villain (see the top of this post), ‘Shockwave,’ who reminds me of Gort. I don’t think this new Dark of the Moon trailer was quite as strong as the initial teaser trailer, and I would’ve preferred more emphasis on story than on CGI chaos, but I know the movie will be good – and probably jaw-dropping in 3D. Looking forward to it. On the news front, here’s the plot synopsis to Transformers: Dark of the Moon, here Rosie Huntington-Whiteley talks about Michael Bay’s work ethic, here she talks about wanting a wedding scene in the next film, and Bay himself talks to MTV about the film here and here.

American military studs fight alien invaders in "Transformers: Dark of the Moon."

• All of a sudden Tron: Legacy director Joe Kosinski is becoming Hollywood’s go-to alien invasion guy. His new project Oblivion – about a soldier in a post-apocalyptic future who battles savage alien life forms – just picked up Tom Cruise as its star, and Kosinski’s project  Archangel (about “a secret unit of the military that tracks and hunts down aliens among us”) just picked up a screenwriter. Plus, Kosinski is apparently shepherding Disney’s reboot of The Black Hole, not to mention the Tron sequels (see here and here). Continue reading Mega-Invasion Alert!: Transformers, Ender’s Game, The Martian Chronicles, Oblivion, Archangel & 3D Fish Join the Invasion!