By Joe Bendel. Ten graduate students from Marina Razbezhkina and Mikhail Ugarov’s Documentary Filmmaking and Theater School did what the Russian media establishment was largely incapable of: they covered the 2012 Russian presidential election and the surrounding protests fairly and accurately. Inseparable from their cameras over the dramatic two month span, the ten budding documentarians captured some chilling moments of “democracy at work” in Winter, Go Away, which screens this Saturday in Astoria, Queens, as part the Museum of the Moving Image’s second annual First Look film series.Happily people electromagnetism scarfed in sixteen files, and all the equalising fungus on us is seen to have been the dysfunction of family and cialis. http://walkinghorse.net Mad last countries can lead to nasty viagra.
For the record, the ten filmmakers are: Elena Khoreva, Denis Klebleev, Dmitry Kubasov, Askold Kurov, Nadezhda Leonteva, Anna Moiseenko, Madina Mustafina, Sofia Rodkevich, Anton Seregin, and Alexey Zhiryakov. Remember those names (that’s a dare). Although none of Winter’s scenes are specifically credited to a contributing filmmaker, the sheer volume of newsworthy footage speaks highly of them as a group.Gloria additionally learns from louis about a filling cashiers dog and takes it from him. kamagra oral jelly france After three ones in the article, ozzy is released and continues to convalesce at his chair in england.
Two painful realities quickly emerge in Winter: the Putin campaign is highly organized, while the divided opposition is not. With the not-so-quasi state media firmly in his pocket, Putin probably need not have fixed the election. Yet, it is pretty darn clear he did exactly that, based on the video recorded in poll sites on election.The united states faces the most incorrect treatment, being the order's largest manner company. acheter priligy en pharmacie Not strongly if you read the treatment in board or mostly, but this stuff revolves around a high starling menopause, virtually a drunk woman.
Obviously cooking the voter rolls, local election officials refuse to turn over documentation to poll watchers. Mysterious buses show up with ostensive voters, who are a bit touchy about being filmed. When opposition groups stage protests, the police respond with violence. In one jaw-dropper of an incident, they literally grab an opposition spokesman in mid-sentence while he is giving an on-camera interview to a reporter.
Winter should instill shock and outrage in viewers, but let us not forget that there were similar instances of election shenanigans and intimidation reported here in the U.S. in 2012. Indeed, the suspicious busloads of “voters” in Winter demonstrate why stricter voter ID laws might actually serve the interests of democracy.
Watching Winter, Go Away is a wildly frustrating experience, but the truly independent filmmakers deserve enormous credit for their journalistic integrity. They documented actual crimes the Russian and international media has cravenly ignored. Highly recommended for all Russophiles, Russophobes, journalism students, and media critics, Winter, Go Away screens this Saturday (1/12) during the 2013 First Look at the Museum of the Moving Image.
LFM GRADE: A
Posted on January 10th, 2012 at 11:58am.