Comments on: LFM Reviews Inception Upside Down

By: Mr. Rational

Mr. Rational — Tue, 27 Jul 2010 21:17:57 +0000

Hmm. It’s a shame we seem to have seen different films. The one I saw was fantastic.

By: johngaltjkt

johngaltjkt — Mon, 26 Jul 2010 15:45:04 +0000

Interesting article by A.O. Scott today in the New York Times regarding the criticism of this movie. “Everybody’s a Critic of the Critics’ Rabid Critics”

By: Jason Apuzzo

Jason Apuzzo — Sat, 24 Jul 2010 18:41:12 +0000

And imagine how surprised they’ll be, as they’re pouring you a frappuccino!

By: arhooley

arhooley — Sat, 24 Jul 2010 18:23:47 +0000

I also enjoyed the score, even though what you rightly call the “repetitive, thunderous music” had little to do with the soulless, suspense-free, unsublime images it accompanied. In fact, I’ll probably get the music and listen to it on my iPod Shuffle in my mid-morning ambulations to the coffee shop. It will give me a sense that I am on a secret mission to subvert reality itself in a fashion that the mind-numbed mortals around me cannot fathom!

By: Cory

Cory — Sat, 24 Jul 2010 04:46:40 +0000

It’s impossible to read the upside down review on an iPhone!

By: Jason Apuzzo

Jason Apuzzo — Fri, 23 Jul 2010 23:33:04 +0000

Well done, Allston.

By: Jason Apuzzo

Jason Apuzzo — Fri, 23 Jul 2010 23:32:31 +0000

Yes, actually Zimmer’s score was pretty good.

By: maatkare

maatkare — Fri, 23 Jul 2010 23:30:04 +0000

I haven’t fidgeted and checked my watch so much through a movie in ages. Add me to those who found this tedious. And I agree–Salvador Dali’s “Spellbound” sequence evokes a dream world so much better. Kudos to the effects team and especially Hans Zimmer’s score, but this was 2 1/2 hours I wish I had back!

By: Allston

Allston — Fri, 23 Jul 2010 23:27:20 +0000

˙ƃuıʇsǝɹǝʇuı ʎɹǝᴧ

By: Claude

Claude — Tue, 20 Jul 2010 07:56:00 +0000

An amusing avant-garde experiment, Jason.