Veronica Lake, by George Hurrell

By David Ross. My preferred form of Internet time-wasting is “Google Images.” I collect photos of great writers, Georgian architecture, Michelin-starred food (the kind I may never get a chance to eat), nineteenth and early twentieth-century art (Samuel Palmer, Lyonel Feininger, Wyndham Lewis, etc.), and, yes, glamour shots of classic actresses, including, but not limited to, Anouk Aimee, Lauren Bacall, Capucine, Audrey Hepburn, Katherine Hepburn, Anna Karina, and Grace Kelly, preferably in Givenchy or Chanel, always in glorious black and white. In short, I’m a minor connoisseur, on which basis I would like to make the reckless assertion that the above photo of Veronica Lake, circa 1941, is the greatest still photo – the most elegant, seductive, multivalent – ever taken of an actress. The photographer was George Hurrell (1904–1992), whom Virginia Postrel calls the “master of Hollywood glamour.” You can read about his revival here and buy his work here.

The photo seems at first glance your standard come-hither boilerplate, elevated, obviously, by Veronica’s preternatural bone structure and hallmark tresses. I find, though, that Veronica’s expression has a kind of Gioconda irreducibility. At once sexy, weary, predatory, and demure, her expression seems to say something like, “I have no interest in you – no interest in the mere world – but if you insist, I will rouse myself to the matter of your destruction – and you will relish every wound.” Notice the faint sneer that registers at the right corner of the mouth; notice the shadowed right eye that carries dual connotations of the harlequin and the gun moll with a shiner; notice the coffin-forming play of light and shadow. This is a disconcerting silhouette indeed: a dark little study of sex and death, a forked image of the sleeping beauty and the stirred succubus, the thirst-awakened vampiress.

In comparison, Rita Hayworth kneeling on her satin-sheeted bed and Marilyn Monroe struggling with her billowing skirt are images of mere adolescent wish fulfillment, of sweaty pubescence. If buxom vistas are your thing — well, enjoy. Hurrell’s version of Veronica Lake belongs to an entirely different category. Its glamour recalls Beardsley, Weimar, what have you; it’s not kid’s stuff.

Posted on September 9th, 2011 at 2:07pm.

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