Category: Watch Movies!

By Joe Bendel. David Fisher chose to drag his siblings to the historic sites of Austria – at least, the ones that the country would rather hide away from the world. They would visit the concentration camps their father survived. It is a trip Israeli filmmaker Fisher’s sister and two brothers make quite reluctantly. Nevertheless, they experience family history as a form of therapy they never knew they needed in Fisher’s Six Million and One, which opens this Friday in New York.

Fisher somehow lived through his internment at the Gusen and Gunskirchen camps, but just barely. Amongst the last camp populations to be liberated, the Fishers’ father easily could have been the National Socialists’ final victim, the titular six million and first. He did survive, but he never told the tale, except in the unpublished memoir discovered after his death. While most of the family has no interest in plumbing the depths of their father’s wounded psyche, the documentarian brother obsesses over it, using it as the blue print for SMAO.

Brother David starts the voyage solo, traveling to Austria, where he meets several townspeople who were slightly surprised to learn they had moved into houses across the street from a concentration camp. He also journeys to America to interview some of the surviving GI’s who liberated the Austrian camps and still suffer from post-traumatic stress syndrome decades later. In fact, these might be some of the most eye-opening scenes of the film, arguing for separate documentary treatment in their own right.

Eventually, Fisher cajoles his siblings into returning to Austria with him. They literally retrace their father’s steps on the notorious death march between camps and in the munitions tunnel he dug as a slave laborer. Yet, having not read their father’s chronicle, they are unaware of the significance of each leg of the journey until it is revealed by their filmmaker brother.

Notwithstanding the humanistic empathy of his visit with America’s “Greatest Generation,” SMAO revisits some well traveled documentary roads. For those of us who have covered many thematically related films, it clearly bears close comparison to Jake Fisher’s A Generation Apart (presumably no relation), as well as any number of films documenting Survivors’ return journeys to their old fateful homelands (such as Inside Hana’s Suitcase or Blinky & Me for instance). However, the refreshing wit and attitude of the Fishers helps differentiate SMAO from the field. It is clear they are never reading from a pre-written script, nor are they interesting in indulging in cheap-and-easy sentiment.

Yes, there have been a lot of films about this uniquely horrific episode in human history, but SMAO still finds something new to say. Though it displays a bit of inclination towards the discursive, writer-director-producer Fisher and editor Hadas Ayalon ultimately shape it all into a compelling narrative. Ran Bagno’s ECM-ish blend of chamber strings and experimental music also nicely underscores the dramatic presentations on-screen. Recommended for thoughtful audiences, Six Million and One opens this Friday (9/28) in New York at the Lincoln Plaza Cinema.

LFM GRADE: B

Posted on September 24th, 2012 at 12:29pm.

By Joe Bendel. The last two years have been tough for Mets fans, but there have been a few bright spots. They have had the pleasure of watching Bobby Valentine “manage” another team and R. A. Dickey has posted All-Star worthy seasons on the mound. When he signed with the Mets, he was one of two knuckleball pitchers in Major League Baseball. And then there was one. Ricki Stern & Annie Sundberg follow Dickey as he works to make a name for himself, while his knuckleball-throwing colleague Tim Wakefield chases a series of career milestones in the thoroughly entertaining documentary, Knuckleball!, which opens this Thursday at the IFC Center.

Tim Wakefield did just about everything you can do as a member of the Boston Red Sox, an often overlooked Northeastern team best known for trading away Babe Ruth, including giving up the eleventh inning walk-off home run in game seven of the 2003 ALCS. Honestly, that was something of a fluke. Wakefield always had success against the Yankees, which made the Red Sox’s decision to banish him to the bullpen rather baffling. In a year when the Sox were largely out of contention, beating the Yanks whenever possible would have been a logical fallback goal. Nonetheless, Wakefield saw little meaningful time on the mound at the start of the 2011 season, despite the tantalizing closeness of his 200th win.

A journeyman pitcher who stunned the baseball world – particularly including the Amazin’s, by winning a spot on the rotation – R.A. Dickey finally signed a guaranteed contract. However, a nagging injury threatens to put a damper on the party. Fortunately, Dickey can call on the knuckleball support network – especially his mentor, veteran knuckleballer Charlie Hough, for advice.

Some of Knuckleball!’s best scenes capture the get-togethers of this knuckleball fraternity, including Hough, both active proponents, and Wakefield’s early guru, Phil Niekro. As one might expect, they have some funny stories to tell. Wakefield and Dickey do a fine job explaining what the knuckleball pitch does and does not do. However, all knuckleballers are at a bit of a loss to explain the deep-seated disdain for their bread-and-butter pitch. Considering how radically different it looks to batters, one would think every club would want one knuckleballer on staff – but no, not by a long shot.

Stern and Sundberg do something rather remarkable in Knuckleball! by building to a big, satisfying emotional crescendo, even though they are following two pitchers whose respective teams were a country mile away from the pennant chase. It comes through loud and clear that Wakefield and Dickey are not just concerned with their individual stats. They are representing their pitch, like faithful practitioners of an esoteric martial art. Yet, this is exactly what baseball is all about: tradition.

Dickey and Wakefield are consistently likable subjects – and the old school knuckleballers, including Hough, Niekro, and Jim Bouton, are even more so. Prolific documenterians, Stern & Sundberg’s best known work is probably Joan Rivers: A Piece of Work and their most important project is easily Burma Soldier, but Knuckleball! is by far their most enjoyable. Non-sports viewers will still find it completely engaging, but for baseball fans, it is like a bag of salted peanuts at an office getaway game (that’s a good thing). Enthusiastically recommended to general audiences, Knuckleball! (with exclamation point) opens this Thursday (9/21) in New York at the IFC Center.

LFM GRADE: A-

Posted on September 18th, 2012 at 2:24pm.