Taiwan Film Days in San Francisco: Monga

By Joe Bendel. Forces from the Mainland have their eyes on Formosa territory. It is a familiar story, but in this case it is the Chinese syndicate looking to dislodge the traditional Taiwanese neighborhood triads in Doze Niu’s Monga, which opens the San Francisco Film Society’s Taiwan Film Days this Friday at the Viz Theater.

In the 1980’s, nearly every densely packed block of Taipei’s Monga neighborhood has its own triad, like the Temple Front Gang. It is here that the fatherless Chou Yi-Mong finds a sense of belonging. Recruited after standing up to a pack of bullying classmates, Chou (a.k.a. Mosquito) makes fast friends with Boss Geta’s son Dragon Lee and his three running mates. The fab five fight like unit, though they know the rules of the streets dictate they might eventually find themselves rivals. Frankly, Mosquito often does not understand why they are brawling, but the friendship is real. It is even realer than real for Monk, who is devoted to Dragon in quite a suggestive way.

Of course, the nature of their camaraderie is such that betrayal is inevitable, especially with the Mainlanders looking to move in. Indeed, the young gang princes find themselves caught up in a power struggle between those who want to maintain local control of organized crime, like Boss Geta, and those who want to cut a deal with the Northern triads, most notably including Grey Wolf, mysterious old flame of Mosquito’s mother.

Though Monga was selected by Taiwan as its official foreign language Oscar candidate, it is a highly commercial film (in a good way). Energetically mixing teenaged coming of age angst with gritty street level gangster power games, it pretty much has all the elements. There is even young love, street smart as it may be, when Mosquito falls for Ning, a beautiful young prostitute often demeaned for her nearly invisible birthmark.

Monga features a number of young Taiwanese television and pop-stars who likely brought a built-in fan base to the film in the ROC. However, they are well suited to their roles, particularly Ethan Ruan as the intense Monk. Mark Chao also seems to appropriately grow into the role of Mosquito, while the haunting Chia-yen Ko projects a fragile vulnerability as Ning. Yet, the silver coiffed Niu might even upstage his young cast, appearing as the intriguing Grey Wolf.

With generous helpings of Big Brawl style street fighting and unapologetically tear-jerking romance, Monga has something for a wide array of Asian cinema devotees. Thoroughly entertaining, it deserves a productive life on the festival circuit and even a shot at specialty distribution. It should be a crowd pleasing opener for SFFS’s Taiwan Film Days when it screens at the Viz Cinema next Friday (10/22).

Posted on October 18th, 2010 at 10:55am.

Anti-Islamic Terror Documentary Killing in the Name Up for Oscar Consideration

By Jason Apuzzo. The Wrap is reporting today that the anti-Islamic terror documentary Killing in the Name has been shortlisted for Academy Awards consideration. I’ve embedded the trailer for the film above – take a look.

Here below is how the film is described on its Facebook page:

“Four years ago, Ashraf Al-Khaled and his bride were celebrating what was supposed to be the happiest day of their lives, when an Al-Qaeda suicide bomber walked into their wedding and blew himself up, killing both of their fathers in front of their eyes. The couple lost 27 members of their family that day.

“It’s a sad fact that stories like Ashraf’s pepper the news almost daily. In the last 5 years, over 88,000 people have been killed or injured in terrorist attacks worldwide. The majority, like Ashraf, were Muslims.

“How can someone be so robbed of their humanity that they happily commit mass murder and suicide? It’s one of the fundamental human questions of our era, one that has haunted Ashraf since his wedding day, and what is now driving him to rise from horrific tragedy to take an unprecedented step – breaking the silence in the Muslim community on this taboo subject by speaking out against terrorism.

“KILLING IN THE NAME follows Ashraf in his quest to speak with victims and perpetrators, and expose the true costs of terrorism. From a jihadi recruiter for Al-Qaeda, the group responsible for bombing his wedding, to an Islamic militant behind one of the world’s worst terrorist attacks, to a madrassa filled with young boys ready to fulfill the duty of jihad, Ashraf takes us on a harrowing journey around the world to see if one man can speak truth to terror, and begin to turn the global tide.

“At times chilling and moving, terrifying and hopeful, KILLING IN THE NAME is a far- reaching and necessary first step in tackling what is arguably the most pressing issue of our age. As Ashraf puts it, ‘If we can’t even talk about it, this terror will never end.'”

We’ll keep an eye on this story, and we wish the filmmakers the very best with this project.

Posted on October 14th, 2010 at 9:34am.

Richard Wagner’s Das Rheingold at The Met and in Movie Theaters

Bryn Terfel as Wotan.

By Patricia Ducey. If you were thrilled at Lt. Colonel Kilgore’s mad helicopter ride in Apocalypse Now or swept away by the portentous opening of Terrence Malick’s The New World, you may already be an opera lover. Moviemakers have always borrowed from the rich store of classical music – and very liberally from Richard Wagner – to heighten the emotion and theatricality of their productions, and now the Metropolitan Opera is offering HD productions of the source operas themselves.

We are all now able to share these performances live across the world. At 1 p.m. the curtain rises in New York; at 10 a.m. in California we sip our coffees and wait for the theater to darken; in Switzerland they dress in formals and make an evening of it. Now in its fifth season, “The Met: Live” is the perfect marriage of myth, movie artistry and music – and it’s also affordable at roughly $22 per ticket. Last season’s Tosca and Turandot, thoroughly grounded in the familiar narrative territory of romantic literature and soaring arias, won me over – and so I ventured out recently to what I hoped would not be a morning misspent with Herr Wagner …

Deborah Voigt as Brunnhilde.

To be honest, in 21st century America our sensibilities have been trained to respond to the conventions of moviemaking – i.e., camera angles, close-ups, etc. – so as a neophyte opera fan, I find these ‘movie’ productions almost better than some of the live productions I’ve seen. Not if you had good seats!” my opera loving friend counters, but how many of us can afford that $200-plus ‘good’ ticket? In the Met: Live productions, the production team expertly uses the camera to enhance the storytelling so that we’re not, for instance, continuously scanning a huge faraway stage for the action. So for anyone who did not grow up with this art form as part of their national culture, the familiar conventions of filmmaking prove an invaluable aid here. In addition, the Live broadcasts open with a backstage tour, led (on this occasion) by Deborah Voigt, and include interviews with the cast (with shoutouts to their countrymen) and wardrobe/production staff, along with a “making of the Ring” mini-doc – all of which makes the opera very accessible.

The Met: Live opened October 9 th with Das Rheingold (“The Rhine Gold”), the 2.5-hour prelude to Richard Wagner’s massive-in-scope “Ring-cycle.” The entire cycle runs approximately 15 hours and is meant to be seen in four sittings. In this epic undertaking, Wagner creates an entire mythical world, borrowed from Norse and medieval German sagas, with gods and creatures engulfed in struggles for power and greed and love, all culminating in the four-hour Götterdämmerung (Twilight of the Gods).

Rhine maidens.

The opera opens with three entrancing Rhine maidens who guard the store of magical gold under the Rhine – and the evil Alberich, the dwarf who unsuccessfully woos the beauties. Angered by their rejection, he renounces love and steals their gold and forges it into a ring that the mermaid-like creatures have promised will allow any who possess it to rule the earth. We then meet the gods Wotan, his wife Fricka, and their progeny. Wotan would like to rule the earth as well, and outsmarts Alberich to steal the ring. Plot complications ensue, and the ring eventually ends up in other hands – Wotan trades away the ring for a safe home for his fellow gods. At the conclusion of Das Rheingold, his reunited family ascends into beautiful Valhalla, safe at last. Yet, as we hear the strains of familiar chords, we know that the peace of Valhalla is but a chimera; something is coming – something larger than life, something wonderful.

Terrence Malick, incidentally, who is a student of German philosophy, used the image of the water nymphs in the opening scenes of New World – mirroring the opening of Das Rheingold. I can only wonder if this was intentional. Another mythmaker, J. R.R. Tolkein, long-ago acknowledged his borrowing of the all-powerful gold ring for his own ‘Rings-cycle’ – as well as his indebtedness to Wagner’s vision.

Given the sterility and vapidity of our modern day myths (currently, Avatar), exploring opera, theater, short films or foreign films as we do at LFM can only enrich our understanding of filmmaking culture, infusing it with the chords and themes that have resonated in humanity through the ages; indeed, this may be the only way that new film practices will emerge, once the tiresome contemporary genres of the anti-hero, of puerile sexuality, or of nihilism have run their course.

While we await this salutary development, check out this schedule and make a date for The Met: Live. [There is an encore performance of Das Rheingold on October 27th.] I am not quite a Ringhead yet, but I will definitely make time for the others and certainly for The Valkyrie. These operas have it all: fierce heroes and heroines, magical golden rings, illicit love – and, most of all, majestically beautiful music.

Posted on October 12th, 2010 at 12:57pm.

New Medal of Honor Takes the Battle to Afghanistan

By Jason Apuzzo. Did you folks see the debut of the new Medal of Honor trailer last night during Monday Night Football? I’ve embedded it above. This new game from EA takes place in Afghanistan, following Special Ops forces. The trailer is quite cinematic in flavor, and almost appears to be a re-telling of recent offensives in Afghanistan.  You can read more about the game at the Wall Street Journal’s Speakeasy blog today. The game was designed in collaboration with some of our special ops guys.

One extremely unfortunate note, though: there’s apparently an option in this game to ‘play’ on the Taliban side, as it were – which is really tasteless.

Posted on October 12, 2010 at 10:59am.

Could The New Halo Movie be the anti-Avatar? + French Women & Hollywood Round-up, 10/12

By Jason Apuzzo. • I’m still tantalized by the notion that Dreamworks’ proposed Halo project could be a kind of anti-Avatar – i.e., an epic sci-fi film that makes genocidal theocratic aliens into the enemies, rather than into victims of Earth-based imperialist aggression/corporate exploitation, etc. I’ve embedded a trailer above that should give you some sense of what such a film might feel like, particularly in terms of its epic scale.

My sense is that this would be a difficult project for Dreamworks to botch, provided their desire to retain some basic fidelity to the storyline and not turn off – I almost wrote ‘alienate’ – the game’s legion of fans. We’ll see.

The Social Network won the weekend at the box office. No surprises there, but it was disappointing that Disney’s Secretariat placed third behind the vulgar-looking Katherine Heigl comedy. And now, apparently, Disney’s new marketing chief is quasi-falling on her sword over the film’s mediocre opening. My sense is that people should be patient here; I expect Secretariat to have a long shelf life, and good word-of-mouth. It’s interesting that the Hollywood Reporter article about Disney’s marketing chief notes that Secretariat did much better business in the Heartland than on the coasts. That’s completely unsurprising to me, because the vibe of the film is so retro-old school … it’s almost like a classic women’s melodrama from the 1940s. My advice to the Disney people would be start marketing the film hard to women, and not just to people they’ve tagged as middle-American conservatives/Fox News viewers/Christians, etc.

French Vogue celebrates its 90th anniversary. Hooray.

French actress Lea Seydoux has been cast as the villainess of Mission: Impossible 4. This reminds me, happily, that French Vogue is celebrating its 90th anniversary this month. I’d been wanting to show everyone the superb cover of the anniversary issue (see right). It certainly captures French women at their finest, non? Vivre la differance, I always say. Over at fashion blogger Garance Doré’s site (see here and here) you can read about the 90th anniversary Masquerade Ball held at Karl Lagerfeld’s Paris apartment, in celebration of this momentous anniversary. We love Garance’s site here at Libertas, by the way. In somewhat related news, while the French are celebrating their beautiful women, a German group has just devised some new ‘body morphing’ software that can re-sculpt the bodies of actors and actresses. The Germans used to have such faith in their gene pool; apparently times have changed.

• On the Dwarves/Fairies/Gnomes Front, you can see below the new trailer for Chronicles of Narnia: Voyage of the Dawn Treader if you’re still following that series. Also: Peter Jackson is out reminding people today that due to the complex MGM situation, his Hobbit films have still not technically been greenlit. No kidding – we may not see those films for another 40 years, the way things are going. And finally, Warner Brothers is canceling the planned release of the next ‘Harry Potter’ movie in 3D, as there simply isn’t enough time for them to do a high-quality 3D conversion. No doubt this is embarrassing for them – but it’s much less embarrassing than having a bad conversion panned. For the umpteenth time here at Libertas, I remind people that it’s always better to shoot natively in 3D when possible – rather than endure the vagaries, inadequacies and expense of the conversion process.

• On the Political Front, Shia LaBeouf apparently wants to play the young Karl Rove in College Republicans, which is described by the LA Times as “a comedy-drama about a young Karl Rove vying for the position of chief campus conservative under the guidance of one Lee Atwater.” I suppose that might be entertaining; Rove could certainly do worse – in terms of looks, though, it would probably be more accurate to cast Jonah Hill. In related news, people are still irritated that Oliver Stone’s Wall Street (starring Shia LaBeouf) wasn’t left-wing enough. This must really be a weird month for Stone, in so far as he just released a pro-Hugo Chavez doc. In other news: a new kids TV show is debuting featuring “Sharia-compliant Muslim superheroes.” Has Marvel optioned that yet? Incidentally, I want to remind everyone that Four Lions is being released here in the States on November 5th – although that film’s about sharia non-compliant Muslim terrorists.

• Some new production stills are out from the Angelina Jolie/Johnny Depp/Florian Henckel von Donnersmarck thriller The Tourist. You can check out one of them below.

Angelina Jolie in Florian Henckel von Donnersmarck's "The Tourist."

• There’s an ocean of news on the Sci-Fi/Alien Invasion Front. First of all, actress Noomi Rapace is apparently the hot candidate to be the female lead – i.e., the primary lead – in Ridley Scott’s very expensive (and probably 3D) Alien prequel. [Minor note: James Cameron’s Aliens, still easily my favorite film of his, is coming to Blu-ray with a refurbished print that looks phenomenal.] In other news, a teaser trailer for The Thing shown at the New York Comic-Con has leaked out, although the image is of a poor quality; you can also read some new, spoilerific details just released today about the movie . Of note is that they’re re-shifting the story around the female lead, a lá Ripley in Aliens. And since this new version of The Thing is apparently intended to dovetail (like a prequel) with John Carpenter’s The Thing from 1982, it’s also worth mentioning today that a remake may be in the works of Carpenter’s other alien invasion movie from the 1980s, They Live. And finally on the alien invasion front: you can catch some great, behind-the-scenes footage of the new J.J. Abrams/Steven Spielberg Super 8 here and here. Watch as the U.S. military (circa 1979) fights off something very big attacking America’s heartland …

Diora Baird.

• In other Sci-Fi news, 20 minutes worth of Tron: Legacy footage will be shown on 3D IMAX screens October 28th. Also: there’s more news out today about the Daft Punk album for Tron (they’re doing the original score). The album will be released December 7th. One major bummer from today: shooting on the 3D Mad Max sequel Fury Road with Charlize Theron has been postponed for a year, for what appear to be financial reasons. That’s a pity, because they’d supposedly already done a lot of work on that.

• And in Retro Sci-Fi news, George Lucas’ THX-1138 is finally coming to Blu-ray; you can read the LA Times’ recent review of Roger Corman’s Star Crash with Caroline Munro, which just came to DVD and is one of my absolute favorite cult films of all time; the LA Times also reviews the new coffee-table book out on the old Star Trek TV series, called Star Trek 365; and finally, don’t forget to catch this hilarious, recently unearthed interview from 1977 with Harrison Ford about Star Wars. It’s really a hoot, with Ford in full-tilt smart-ass mode.

• AND IN TODAY’S MOST IMPORTANT NEWS …  Minka Kelly of the Friday Night Lights TV series has been dubbed ‘Esquire’s Sexiest Woman Alive for 2010.’ While I think it’s great that Ms. Kelly is still playing a cheerleader at age 30, I nonetheless find this a puzzling, inadequate choice for ‘Sexiest Woman Alive.’ In fact, Ms. Kelly is probably not even the sexiest actress in a magazine spread this month, a title which may go to Diora Baird (of the forthcoming vampire flick 30 Days of Night: Dark Days) who appears in the new issue of FHM. Judge for yourself. Incidentally, Ms. Baird played a green Orion girl in the recent Star Trek – but her scene with Chris Pine (Captain Kirk) got cut. You can watch the clip here – it’s pretty funny.

And that’s what’s happening today in the wonderful world of Hollywood.

Posted on October 11th, 2010 at 5:44pm.

New Chronicles of Narnia: Voyage of the Dawn Treader International Trailer

If you’re still following this series, here is the new international trailer for The Chronicles of Narnia: Voyage of the Dawn Treader. This one’s a bit more elaborate than the first trailer, so take a look …

Posted on October 11th, 2010 at 1:01pm.