LFM Reviews The Great Pilgrim @ IBFF Showcase 2013

From "The Great Pilgrim."

By Joe Bendel. Xuanzang was a Buddhist monk dedicated to peaceful scholarship. Yet, his life indirectly inspired many martial arts sagas. The classic Ming novel Journey to the West is very loosely based on his pilgrimage from China to India. While the novel is still widely read and adapted to many formats (particularly the chapters involving the Monkey King), Xuanzang’s historical odyssey is often overlooked. Yet, it was quite a dramatic adventure by any earthly standard, as viewers will soon learn from Jin Tiemu’s documentary The Great Pilgrim, which screens this Sunday during the 2013 International Buddhist Film Festival Showcase in the Bay Area.

Xuanzang was born to a prominent family, but he was orphaned as a young child. As a result, the local Buddhist monastery became his home at an early age. He had a scholarly disposition, but was deeply troubled by the lack of Buddhist texts available in China. In the Fifth Century, India was still considered the fountainhead of Buddhist though, so Xuanzang set on a pilgrimage to acquire and translate the great Sanskrit teachings. It would be an arduous trek across the Silk Road, through deserts, mountain passes, and hostile kingdoms.

According to Xuanzang’s account and the writings of his disciples, the monk nearly died of heat and dehydration during an early stage of his journey. It is clear that Xuanzang’s faith sustained him, even to those unwilling to accept a higher authority in the matter. Throughout the pilgrimage, Xuanzang spread Buddhist teachings through western China, Central Asia, Pakistan, and Afghanistan.

From "The Great Pilgrim."

Jin emphasizes the cinematic nature of the tale with dialogue-free dramatic re-enactments and breathtaking shots of the sweeping ruins that once were the great cities Xuanzang passed through. Indeed, following in the monk’s footsteps looks like it would be a once in a lifetime tour for amateur archeologists. While the Chinese voiceover narration sounds a bit overpowering at times, it presumably got the job done for domestic audiences.

Regardless of one’s personal religion, Xuanzang’s story is hugely inspirational. Jin also persuasively establishes his considerable historical importance as the author of the monumental Great Tang Records on the Western Regions and a geo-political game-changer who converted hostile powers to Buddhism. A great looking doc, Pilgrim features striking cinematography and some richly crafted sets. A shrewd selection for this year’s IBFF showcase, it vividly depicts an enormously significant Buddhist figure without ever feeling preachy or didactic. Highly recommended as a documentary for those who usually prefer narratives, The Great Pilgrim screens this Sunday afternoon (3/3) at the Smith Rafael Center, as the IBFF Bay Area Showcase continues.

LFM GRADE: A-

Posted on March 1st, 2013 at 10:19am.

LFM Reviews The Playback Singer @ Cinequest 2013

By Joe Bendel. His job is to make others sound great, but he specializes in making himself look bad. He dubs musical numbers for Bollywood actors who cannot carry a tune in a bucket. He does it well. He is also a father, but not such a hot one. Nonetheless, he will be staying for a while with his daughter in Suju Vijayan’s The Playback Singer, which screens as a selection of the 2013 Cinequest Film Festival in San Jose.

Ashok Rao has been married several times, but he only has one daughter: Priya. Of course, he was never around much. Still, she readily agrees to put up her prodigal father when he comes to California for a concert. She is a bit apprehensive about seeing the old man, while her freelance designer husband Ray Tomassi is a bit resentful, knowing full well their limited history together. At first things are tense, especially when an unscrupulous promoter leaves Rao high and dry. Yet, Rao and Tomassi eventually warm towards each other. Wine helps. Before long, she is fast losing patience with both of them.

Bollywood fans might be disappointed to find Playback adheres more closely to an American indie template. Still, Vijayan has the taste and discipline to resist overplaying the fish-out-of-water culture clash card. Instead, it is much more preoccupied with early midlife crises, the fear of failure, and the nasty realization you might have married someone more like your father than you would like to admit.

Tomassi is a dreamer and procrastinator, pathologically incapable of finishing his one commission, a hipster jungle gym. Somehow though, Ross Partridge lets us emphasize with his fears and self-indulgences. His unlikely buddy chemistry with Piyush Mishra’s Rao evolves subtly and naturally. A prominent actor in Bollywood/Parallel cinema (including Gangs of Wasseypur), Mishra invests the titular character with the right mix of dignity and regret. Despite her efforts, Navi Rawat’s responsible daughter gets the shaft from the film, coming across rather uptight and judgmental, even though she’s the only one working a steady job.

Playback never breaks any new ground, but it has some nice moments of honesty. There is a messiness to the characters that rings true. Avoiding quirk for quirk’s sake, The Playback Singer is a small but earnest film that exceeds expectations. Recommended for Mishra’s fans and regular viewers of smarter relationship dramas, The Playback Singer screens today (3/1), Sunday (3/3), and Tuesday (3/5) as part of this year’s Cinequest in San Jose.

LFM GRADE: B

Posted on March 1st, 2013 at 10:18am.